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D. BROUGH. 1981. Polish seventeenth-century church music with reference to the influence of historical, political and social conditions. D.Phil. thesis. Oxford.
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Last edited by: gerard
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Pop. 67.37%
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S. CAMPBELL. 1985. V. F. Odoyevsky and the formation of Russian musical taste in the nineteenth century. Ph.D. thesis. Glasgow.
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Added by: gerard
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Pop. 60.75%
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M. CARROLL. 2002. J.L. Dussek and his role in the development of the piano repertory. M.Phil. thesis. Open.
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Added by: gerard
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Pop. 72.19%
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LINDSAY CARTER. 2019. Affective communities: Music, emotion and subjectivity in the popular cinema of the Third Reich and the Soviet Union, 1933-1949. PhD thesis. Bristol.
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Added by: Gregory Walker
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Pop. 34.56%
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F.G. CAULFIELD. 2001. Template morphology and serial invariants: Compositional procedures in Stravinsky's late sketch collections, 1958-66. Ph.D. thesis. TC Dublin.
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Added by: gerard
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Pop. 62.73%
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JEFFREY P. CHAREST. 2019. The long-necked Lute's eternal return: Mythology, morphology, iconography of the Tanbūr Lute family from Ancient Mesopotamia to Ottoman Albania. PhD thesis. Cardiff.
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Last edited by: Gregory Walker
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Pop. 34.14%
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W.-L. CHEONG. 1991. The late Scriabin: Pitch organisation and form in the works of 1910-14. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 64.66%
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YUANPU CHIAO. 2012. The changing style of playing Rachmaninoff's piano music. PhD thesis. KCL.
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Added by: Gregory Walker
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Pop. 32.45%
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NICOLAS CONSTANTINOU. 2012. The chamber music of Ernő Dohnányi: Tradition, innovation and 'Hungarianness'. PhD thesis. Royal College of Music.
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Last edited by: Gregory Walker
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Pop. 51.23%
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ROXANNE C. COPPING. 2016. Composers and the Ballets Russes: Convention, innovation and evolution as seen through the lesser-known works. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 45.27%
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T.M.M. CZEPIEL. 1991. Music at the Royal Court and Chapel in Poland during the second half of the sixteenth century. D.Phil. thesis. Oxford.
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Last edited by: Gregory Walker
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Pop. 72.07%
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B.J. DAVIES. 2000. Debussy and Stravinsky: Friendship and interaction, 1910-1918. Ph.D. thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 68.93%
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ANNA M. DAVIS. 2011. A Russian eschatology: Theological reflections on the music of Dmitri Shostakovich. PhD thesis. Exeter.
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Last edited by: Gregory Walker
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Pop. 61.59%
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J.P. DAWSON. 1987. The programmatic principle in the symphonic poems of Franz Liszt. M.Phil. thesis. Leeds.
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Added by: gerard
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Pop. 64.72%
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JORY DEBENHAM. 2016. Terezín variations: Codes, messages and the summer of 1944 [instrumental music]. PhD thesis. Lancaster.
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Last edited by: Gregory Walker
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Pop. 44.67%
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C.R. DEE. 2007. Music and propaganda: Soviet music and the BBC during the Second World War. PhD thesis. Manchester.
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Last edited by: Gregory Walker
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Pop. 66.1%
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MARK D. DEEKS. 2016. National identity in Northern and Eastern European heavy metal. Ph.D. thesis. Leeds.
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Last edited by: Gregory Walker
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Pop. 32.75%
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J.C. DOGGETT. 1986. The development of certain processes in Witold Lutosławski's compositions after 1960, with particular reference to the post-1978 works. M.Phil. thesis. CNAA (Kingston Poly).
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Last edited by: gerard
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Pop. 68.75%
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S.C. DOWNES. 1992. Szymanowski as post-Wagnerian: The 'Love Songs of Hafiz', Op. 24. Ph.D. thesis. London (Goldsmiths).
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Last edited by: Gregory Walker
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Pop. 71.28%
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R. DULLEA. 2005. Nation, race and religion in Franz Liszt's 'Des bohémiens et de leur musique en Hongrie'. Ph.D. thesis. NUI (Cork).
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Last edited by: gerard
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Pop. 66.23%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.