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P. JONES. 2000. Iconoclasm, restoration and the creation of new symbols in Russian visual culture, 1991-97 [NCR]. M.Phil. thesis. Oxford.
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Added by: gerard
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Pop. 38%
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TIMOTHY JUCKES. 2008. St Elizabeth's in Košice: Town, court and church-building in late medieval Hungary. PhD thesis. London (Courtauld).
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Added by: gerard
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Pop. 62.48%
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G. JULIER. 2000. Design and transition in Spain and Hungary. Ph.D. thesis. Leeds Metropolitan.
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Added by: gerard
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Pop. 63.8%
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ASSEL KADYRKHANOVA. 2021. Cultural memory and trauma in post-Soviet Kazakhstan: Art as trauma. PhD thesis. Leeds.
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Added by: Gregory Walker
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Pop. 20.51%
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ANTONY KALASHNIKOV. 2019. Stalinist monumental art and architecture, and the 'immortalisation of memory'. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 21.17%
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ABIGAIL KARAS. 2021. On top of the city: Rooftops, rights to space, and the fight for St Petersburg's panoramas. DPhil thesis. Oxford.
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Added by: Gregory Walker
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Pop. 17.86%
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E. KASHINA. 2007. Tradition of merchant patronage of arts in Moscow, eighteenth to early twentieth century. PhD thesis. Leeds.
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Added by: gerard
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Pop. 34.82%
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JENNIFER M. KEATING. 2016. Space, image and display in Russian Central Asia. PhD thesis. UCL.
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Last edited by: Gregory Walker
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Pop. 36.62%
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ALEXANDRA KEISER. 2013. Alexander Arkhipenko and cultural exchange between the wars: From European avant-gardes to avantgardism in the US. PhD thesis. London (Courtauld).
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Added by: gerard
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Pop. 43.48%
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K. KEMP-WELCH. 2009. Figures of reticence: Action and event in East-Central European conceptualism 1965-1989. PhD thesis. London (UCL).
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Last edited by: Gregory Walker
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Pop. 49.25%
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J. KERMIK. 1994. The design and production of furniture with limited resources, with particular reference to Estonia. Ph.D. thesis. Royal College of Art.
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Added by: gerard
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Pop. 59.89%
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J.J. KIERKUC-BIELINSKI. 2005. Confinement and illusions of freedom: The dialogue between Polish and American conceptual art 1970-1981. Ph.D. thesis. London (Courtauld).
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Added by: gerard
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Pop. 57.31%
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V. KIRKMAN. 2001. The presentation of Russian constructivism in Britain. M.Phil. thesis. Liverpool.
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Added by: gerard
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Pop. 56.34%
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ADRIANA KISS-DAVIES. 2011. The exile experience: Hungarian and Czech Cold War refugee artists in Britain. PhD thesis. Wales (Aberystwyth).
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Last edited by: Gregory Walker
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Pop. 54.84%
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K. KIVIMAA. 1999. Feminist and gendered practices in Estonian art of the 1990s. M.Phil. thesis. Open.
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Added by: gerard
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Pop. 58.15%
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-----. 2003. Nationalism, gender and cultural identities: The case of Estonian art from the impact of modernity to the post-Soviet era 1850-2000. Ph.D. thesis. Leeds.
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Last edited by: Gregory Walker
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Pop. 58.87%
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KAMILA KOCIAŁKOWSKA. 2020. The aesthetics of censorship and the Russian avant-garde: Abstraction beyond art. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 20.63%
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ANDREA KOCSIS. 2021. First World War memory and national mythmaking in capital cities: Horizontality and verticality in London, Paris and Budapest. PhD thesis. Cambridge.
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Last edited by: Gregory Walker
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Pop. 20.87%
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KAROLINA KOCZYNSKA. 2022. 'Artes': Mythologising reality in interwar Lwów (1929-1935). PhD thesis. Edinburgh.
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Last edited by: Gregory Walker
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Pop. 20.51%
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P. KOLCZYNSKA. 1995. Art promotion in new Europe: Towards cultural integration. The case of Poland and the Czech Republic. M.Phil. thesis. St Andrews.
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Added by: gerard
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Pop. 47.32%
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UTREES by Gregory Walker; J. S. G. Simmons; MHRA is licensed under a Creative Commons Attribution-Noncommercial 2.0 UK: England & Wales License.